Some of the most interesting projects begin with an idea that wasn't chosen.
Lemlan grew from a direction originally developed for another client. Although it wasn't the right fit for that project, I couldn't stop thinking about it. Instead of letting the concept disappear, I decided to explore where it could lead if it had complete creative freedom.
I wanted the first impression to feel almost industrial. The fragrances are presented inside metallic vacuum pouches that reveal almost nothing about what's inside. Apart from the silhouette of the bottle, there are no obvious clues, no decorative illustrations, and no attempt to explain the product before opening it.
The experience begins only after that first layer is removed.
Lemlan (New York): Creative Story
Inside, the rigid exterior gives way to sculptural glass bottles, tactile stone-like caps, polished wood textures and a much warmer material palette. The identity unfolds gradually, almost the way a fragrance reveals its notes over time.
I liked the idea that the packaging could behave like perfume itself.
Not everything has to be experienced at once.
Sometimes the strongest brands invite curiosity by revealing themselves layer by layer.
Recognition
Lemlan received Behance Project of the Day, and the project was later highlighted by The Dieline, which praised its sculptural approach to fragrance packaging and the distinctive relationship between the bottle design and the overall identity.
What if the name became the entire visual language?